by Nikolas Kosmatopoulos
Three scenes as a prelude to Greek riots:
Scene no.1:
Around 2000 people are gathered in front of the Greek parliament following a call to a sit-in by the open assembly of the occupied Law University. The atmosphere is serene, people’s chats and scrolls are often accompanied by slogans against police brutality and state violence. Police forces are not in sight. Suddenly a young man takes off half of his clothes, and bends his naked upper body in such a way as to simulate a human being in chains, humiliated: his hands bonded behind his back, his knees folded, his head hitting the floor, his exposed back revealing a tatooed crucified Jesus. In this position screams comes out of his mouth, which is only 3 cm far from the ground: “How does it feel to live an entire life bent like this, how does it feel?”. The relaxed atmosphere is changing at once. People and journalists gather around the young man, a crowd of 15 others follow him suit and uncover their upper bodies, taking the same body posture. The crowd is shocked, electrified, speechless. Heavy silence, reflection, a sudden applause. One girl, part of the crowd, screams back to the bystanders: “Don’t applause, just follow us and see how does it feel by yourself”. Kids with school backs undress… Within seconds, divisions of riot police appear from all directions heading to the spot. The silence is gone, slogans against police vibrate the air allover the parliament. The crowd turns the back to the spontaneous performers and heads towards the police forces angrily. They attack them verbally, demanding they leave immediately. The police retreats in order to re-deploy only meters in front of the ad hoc “stage”. After moments, a new performance takes place: A riot police in full gear is approached by a student with long hair. The student bends in front of him on his knees, remaining there for at least an hour. The police officer fails to look the young man in the eyes and soon both of them are joined by two more “actors”: a 10-year-old Roma child, having his face covered all up with Mallox, the anti-teargas liquid cream, and his right hand dressed with a huge boxing glove, with which he occasionally hits the policeman’s shield. A TV reporter joins in extending his camera so close to the scene, almost intercepting the looks of the youngman and capturing the empty look of the officer.


